"Hats Off to (Roy) Harper", which closes Led Zeppelin III, draws on a number of country blues songs, the most obvious of which is "Shake 'Em On Down" by Bukka White. Bukka White's version of "Shake 'Em On Down" is included on Led Astray. Led Zeppelin's Sources of Inspiration also includes this song, but this compilation points to a recording of the same title by Mississippi Fred McDowell as the original source to "Hats Off to (Roy) Harper." McDowell's version of "Shake 'Em On Down" is similar in theme to Bukka White's, but other than a similar refrain, the lyrics of Mississippi Fred McDowell's version differ from Bukka White's. The lyrics Robert Plant uses for "Hats Off to (Roy) Harper" are more directly from Bukka White's version, while Jimmy Page's bottleneck guitar has a sound similar to the version by Mississippi Fred McDowell.
Along with "Custard Pie" on Physical Graffiti, this song is a prime example of Robert Plant's cut-and-paste approach to borrowing lyrics from blues artists. Almost every line in "Hats Off to (Roy) Harper) was lifted from a country blues song. The refrain ("When I done quit hollerin', babe/I believe I'll shake 'em on down") was taken from Bukka White's version of "Shake 'Em On Down". In the third verse, as he does in "Custard Pie", Robert Plant mixed "Shake 'Em On Down" with "Help Me" by Sonny Boy Williamson ("Listen, mama, put on your mornin' gown/Put on your nightshirt, mama, we gonna shake 'em on down"). The song most heavily quoted in "Hats Off to (Roy) Harper," however, is "Lone Wolf Blues" by Oscar Woods, as the second and fourth verses both come from this song. Robert Plant also inserted a reference to a "brown-skin woman", which is probably taken from the song of that title by Sunnyland Slim or Howlin' Wolf. The alternate lyrics that Robert Plant uses for the refrain in the second half of the song ("I been mistreated, babe") also draw on "Lone Wolf Blues". The lyrics to "Hats Off to (Roy) Harper" are given below, listing the source Robert Plant used for each line. I've been able to locate the original source for all but two lines of this song ("Get me, baby, won't be late/You know by that I mean not seconds late"). Please contact me if you can identify a source (other than Robert Plant) for these lyrics.
When I done quit hollerin', babe
Shake 'Em On Down
I believe I'll shake 'em on down
Shake 'Em On Down
Get me, baby, won't be late
???
You know by that I mean not seconds late
???
Must I holler, must I shake 'em on down
Shake 'Em On Down
When I done quit hollerin', babe
Shake 'Em On Down
I believe I'll shake 'em on down
Shake 'Em On Down
Well, I ain't no monkey, I can't climb no tree
Lone Wolf Blues
No brown-skin woman
Brown Skin Woman
Gonna make no monkey outta me
Lone Wolf Blues
Yeah, I ain't no monkey, sure can't climb no tree
Lone Wolf Blues
I been mistreated, babe
Lone Wolf Blues
I believe I'll shake 'em on down
Shake 'Em On Down
Well, I been mistreated, babe
Lone Wolf Blues
I believe I'll shake 'em on down
Shake 'Em On Down
Listen, mama, put on your morning gown
Help Me
Put on your nightshirt, mama
Help Me
We gonna shake 'em on down
Shake 'Em On Down
Must I shake 'em on down
Shake 'Em On Down
Well, I done been mistreated baby
Lone Wolf Blues
I believe I'll shake 'em on down
Shake 'Em On Down
Gave my baby twenty-dollar bill
Lone Wolf Blues
If that don't finish her, I'm sure my shotgun will
Lone Wolf Blues
Yeah, I gave my babe twenty-dollar bill
Lone Wolf Blues
Well, if that don't get that woman out
Lone Wolf Blues
I'm sure my shotgun will
Lone Wolf Blues
Yeah, I'll go shoot her, now
"Hats Off to (Roy) Harper" is a strange recording and a rather odd way to pay tribute to Roy Harper, who was a folk singer with minimal blues influence. Perhaps the tribute to Harper is in the eccentricity of the recording itself, which would be fitting as Harper is certainly eccentric. Still, as it is, "Hats Off to (Roy) Harper" serves as more of a tribute to country blues artists of the 1930s than to the man mentioned in the title. Jimmy Page explained the tribute in a 1979 interview in New Musical Express. Chris Salewicz was asking Jimmy Page about his political beliefs and being true to one's convictions. Jimmy Page pointed to Roy Harper as someone he had great respect for in this regard. According to Jimmy Page, "Harper's 'Stormcock' was a fabulous album which didn't sell anything. Also, they wouldn't release his albums in America for quite a long time. For that I just thought, 'Well, hats off to you'. As far as I'm concerned, though, hats off to anyone who does what they think is right and refuses to sell out."
[1]
Perhaps the strangest thing about "Hats Off to (Roy) Harper" is how the songwriting credits are listed: "Traditional, arr. by Charles Obscure", presumably a pseudonym of Jimmy Page. With multiple artists quoted, shouldn't at least one of them have received songwriting credit for this track? How much of an artist's work needs to quoted before they deserve to be acknowledged in the credits? A line? A refrain? A verse? Two verses? I don't know what the rules for songwriting credits are, but to my mind quoting two verses, as is the case with "Lone Wolf Blues", warrants songwriting credits for Oscar Woods. Also, the Bukka White refrain, repeated several times throughout the track, plays a key role in "Hats Off to (Roy) Harper", and so Bukka White should have been credited on this song as well. It should be noted that Bukka White was still alive when "Hats Off to (Roy) Harper" was recorded.
For reference here are the complete lyrics to "Lone Wolf Blues" by Oscar Woods:
Mama mother told me, when I was quite a child (2x)
I say the life that you are living will kill you after a while
I just begin to realize the things my mother say (2x)
Since I been down here I been mistreated this way
I never loved no one woman, hope to God I never will (2x)
All these triflin' women will get some good man killed
Now I ain't no monkey and I sho' can't climb a tree (2x)
And I ain't gonna let no woman make no monkey out of me
Now I sent my baby a brand new twenty-dollar bill (2x)
If that don't bring her, I know my shotgun will
and "Shake 'Em On Down" by Bukka White
Yes, you're a nice girl, mama
And little girl
Night before day
We gonna shake 'em on down
I need some time holler, now
Oh, must I shake 'em on down
I done shout hollerin', now
Must I shake 'em on down
Too much is debted to me
Through the week
Save these chili peppers
Some ol' rainy day, here
Best I'm hollerin', now
Ooh, must I shake 'em on down
I done shout hollerin', now
Must I shake 'em on down, now
Fix my supper
Let me go to bed
This white lightnin' done gone
To my head
Oh, must I holler now
Ooh, must I shake 'em on down
I done shout hollerin', now
Must I shake 'em on down
I ain't been in Georgia, babe
I been told
Georgia women got the best
Jellyroll
These nights time holler, now
Oh, must I shake 'em on down
I done shout hollerin', mama
Must I shake 'em on down
See See mama, heard
You, done-done
Made me love you, now I know
Man done coming
Best I'm hollerin', now
Oh, must I shake 'em on down
I done shout hollerin', mama
Must I shake 'em on down
Pretty girl's got
They don't know
What it is make me drunk
At that old whiskey still
It's best I'm hollerin', now
Oh, must I shake 'em on down
I done shout hollerin'
Must I shake 'em on down.
Recommended Listening
 
Bukka White - The Complete Bukka White
 
Various Artists - Roll and Tumble Blues
A great collection of slide guitar recordings that includes "Lone Wolf Blues" by Oscar Woods.
 
Mississippi Fred McDowell - Mississippi Fred McDowell
 
Sonny Boy Williamson - His Best
 
Sunnyland Slim - 1949-1951
 
Howlin' Wolf - Howlin' the Blues
Compilations of Original Versions
"Shake 'Em On Down" by Bukka White is included on all of the compilations. Led Zeppelin's Sources of Inspiration also includes a version of "Shake 'Em On Down" by Mississippi Fred McDowell. The Early Blues Roots of Led Zeppelin includes "Lone Wolf Blues" by Oscar Woods.